I am a coffee powered MA graduate in Sound Design for Film and Television.
In college, I was introduced to sound design for film. I quickly developed a passion for it and started looking into it more, alongside Foley and location/field recording. This ultimately led me to my masters degree in Sound Wizardry (MA Sound Design for Film and Television) and graduating from Bournemouth University.
When I am involved in a project, I like to work closely with the director and the production team to ensure we create sound that evokes emotions, tells stories, illustrates vivid images where picture doesn’t exist and supports narrative where it does. From designing atmosphere and supporting characters, augmenting the director’s vision and transporting it into reality, I am skilled at using the latest technology to harness, play with and shape sounds sourced from the many layers which exist around us.
I have undertaken various projects, ranging from student shorts to feature films.
More details regarding my responsibilities for each project are available in My Portfolio.
Sound quality and perfect timing are two of the most important elements in a successful circus show. I followed a structured technical script which needed great attention to detail. Quick reflexes skills played a big role as the show was unpredictable due to the various taming performances.
Being passionate about music and sound, I started as a volunteer Assistant Sound Engineer. I showed great progress and hard work and was offered the role of Recording Sound Engineer. My aim has always been to produce high-quality projects, ready for mixing, and I am proud to have delivered what was requested every time.
If you have any suggestion, project or you just want to say Hello, please do so, via any of the contact information available on the left side of the page and I will reply as soon as possible.
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My first sound design project for animation, created by Parham Sorooshian. The project had it's challenges, but they were easily overcome thanks to the great collaboration with the voice actress and the animator.
Short horror film directed by Luoyi Huang. Video available on reguest!
I created original futuristic sound effects which transports the audience in a dark AI-controlled future. I used a Plasma Ball for one of the sound effects, which was recorded using electromagnetic and contact microphones. The resulting sound was then manipulated using Logic Pro and VCV Rack. Click Here for a demonstrational video.
Due to the film currently being in the festival circuit, the video is available on request.
LGBTQ+ documentary directed by Dana Hourany.
Due to the film currently being in the festival circuit, the video is available on request.
Future TX is an sci-fi action feature film created by Tim Clague & Danny Stack, produced by Templeheart Films via Attraction Movie Ltd.
Spilled Ink is a Fantasy Drama short directed by Pei-Ying Chen.
Due to the film currently being in the festival circuit, the video is available on request.
Mr. Giggles' Rainy Day from James Tubb on Vimeo.
My very first Sound Design and Foley project (never forget the first, right?). I was new to Sound Design and Foley and this isn't my best work but this project is close to my heart as it is a college project, where my passion for Sound Design began.
I began working on this project with the aim to improve my sound design skills. I allowed my imagination to run wild and created it by recording everyday sounds like ketchup being squeezed out, shopping bags and nut shells.
DownloadThis is an experimental project where 3D sound design was applied to create a binaural audio effect without needing to record the sound sources using binaural or ambisonic microphones.